In March, I went to a Pink Siifu album release party that was so chaotic and overrun by the earnest nonchalance of YNs and their groupies and apprentices, that I began contemplating failed concerts and live performances as an entropy we need to succeed in grafting an honest performance culture onto the current one, which conflates experimentation with error and demonizes both in the service of seamless, atomized spectator/spectacle experiences that appease online algorithms above all else.